In my capacity as film critic I have written for such publications as photogénie, Screen Slate, Filmmaker Magazine, and many more.
These days new writing typically appears on my Substack.
This list is currently in progress, as I am still adding and linking older entries.
2026
“Greatest” Short Films of All Time 2025 ballot (Yanco/Talking Shorts)
2025
“I Listen to the Worn-Out Rain”—the Ineffable Vibrations of Loren Connors (Ultra Dogme)
2024
2023. Ein filmischer Rückblick (nowhen)
2023
Best Movies of 2023: First Viewings & Discoveries (Screen Slate)
FLUID DYNAMICS: FILMS BY MAXIMILIEN LUC PROCTOR (Spectacle Theater)
Video Premiere: Two Nice Catholic Boys – Never Wonder (The Thin Air)
Drift review (photogénie)
Twelve Seasonal Films (Ultra Dogme Movie Club)
“Joy in the Small”—An Interview with Blanca García (Ultra Dogme)
The Festival Apparatus (photogénie)
Berlinale 2023 — Correspondence (photogénie)
Colección Privada: The Super-8 and 16mm Scene in Spain (Screen Slate)
2022
“10 Years Down the Drain”—Glocca Morra’s ‘Just Married’ (Ultra Dogme)
Nothingtoseeness (Ultra Dogme)
Persistent Visions (Screen Slate)
The Greatest Films of All Time ballot (Sight & Sound)
Classical Taste: A Conversation with Gaëlle Rouard (Mubi Notebook)
Nathaniel Dorsky: Shimmering Golden Music (Mubi Notebook)
2022 POLL (Cinema Year Zero)
2022 Fantasy Double Features (Mubi Notebook)
Los Descubrimientos de 2022 (cinesinfin)
Le rêve et la radio: Youthful Ambition (a Good Movie to Watch)
Blog #4/22 Collaborating with Ghosts (Woche der Kritik)
La Région Centrale — Michael Snow (In Review Online)
Nitrate Kisses — Barbara Hammer (In Review Online)
Duration and Velocity: An Interview with Larry Gottheim (Filmmaker Magazine)
Interview With Director Maximilien Luc Proctor (To Each Their Own Cinema)
Vampire’s Kiss (Screen Slate)
A lecture by Gregory Markopoulos delivered at Kent State University, June 30, 1968 (Ultra Dogme)
2021
“The world is not a solid, intractable thing” — An Interview with Jerome Hiler (Ultra Dogme)
Teo Hernández: Permanent Movement (Mubi Notebook)
The Blank Screen: A Possible Book (photogénie)
“The skeleton of what you’re making” — An Interview with Richard Forbes-Hamilton (Ultra Dogme)
Re-Introducing Warhol (Ultra Dogme)
‘Screen Test: Ann Buchanan’ (Ultra Dogme)
Olivia Rose Olson | Love, Actually (Cinema Year Zero)
“Like building sites” – Eternity and a Day (photogénie)
Berlinale 2021 — Covid the flow? (photogénie)
Srećan Put (Happy Trails) (Cinema Year Zero)
Winter for Rose (Ultra Dogme)
Returning to the Canvas. On Amit Dutta and ‘Modernism by Other Means’ (photogénie)
Correspondence: Deerhoof (Ultra Dogme)
UDVFF: Special Screening #2 – ‘Driftwood’ (Ultra Dogme)
2020
Issue #1—The Eye of Time (photogénie)
Film Books Round-up #1 (Ultra Dogme)
Diary: Fondly Remembering Festivals (Ultra Dogme)
2019
Berlinale 2019 Redux — Why Film? (photogénie)
Digital Notes on the Corporeal Manifesto (photogénie)
2018
“The Conversation Goes Where It Goes”: An Interview with Yoni Wolf (of WHY?) (Ultra Dogme)
An Interview with Nick Reinhart (of Tera Melos) (Ultra Dogme)
Berlinale 2018 – Temporarily at Peace: A Conversation with James Benning (photogénie)
“I Don’t Know Why.” An Interview with Jeff Rosenstock (Ultra Dogme)
2017
“Thank god I understand that I have something to express.” An interview with Sergei Loznitsa. (photogénie)
2016
Voyage of Mine – Notes from the Venice Film Festival (photogénie)
Locating Empathy (photogénie)
2015
Dry Fires (photogénie)